Almost every garage floor we look at has cracks. Thin lines wandering out from a corner, a straight crack running alongside the saw cut, a spiderweb of fine lines near the door. Most homeowners point at them and ask the same thing: can you coat over that?

Usually, yes. But the honest answer depends on what kind of crack it is, because a floor coating bonds to the concrete and goes wherever the concrete goes. Some cracks disappear for good under the right prep. Some come straight back through any coating on the market. And a few are telling you something that has nothing to do with flooring.

Why almost every slab cracks

Concrete shrinks as it cures and dries. A garage slab is a big, thin piece of concrete sitting on the ground, and as it shrinks, it cracks somewhere. That is normal, and it is why builders cut control joints into the slab: straight grooves that give the cracks a tidy place to form instead of a random one.

The ground underneath adds its own movement. Across much of Florida, slabs sit on sandy fill that can settle where it was not compacted well, especially near the edges and around plumbing trenches. In parts of Georgia and the Carolinas, clay soils swell when they get wet and shrink when they dry out, which moves the slab with the seasons.

So the question is never whether a garage floor has cracks. It is which kind, and whether they have finished moving.

The four kinds of cracks we see

Hairline shrinkage cracks. Thin lines, often in a loose web pattern, with both sides level. They are cosmetic. They get opened up, filled and ground flush during prep, and the coating hides them for good.

Control joints. The straight saw cuts in the slab. They are meant to be there, and often the slab has already cracked neatly underneath them, which is exactly their job. They can be filled and coated over for a seamless look, or left open and carried through the coating. More on that below.

Settlement cracks that have stopped. Random cracks from the slab settling after it was poured, sometimes years ago. If they have stopped moving and both sides are level, they are repairable, and once filled and ground flush they behave like the rest of the floor.

Active cracks. These are still moving. They open and close with the seasons, keep getting longer or wider, or have one side sitting higher than the other. No coating fixes an active crack. It will crack along the same line, because the coating is bonded to concrete that is still moving. The cause has to be dealt with first.

How to tell whether a crack is still moving

You do not need special tools to get a good first read:

• Run your hand across it. If one side sits higher than the other, the slab has moved vertically. That is a structural sign, not a cosmetic one.
• Mark the ends. Put a pencil mark and a date at each end of the crack. If it grows past the marks over a few months, it is active.
• Look at the edges. Old, stable cracks tend to have dirty, rounded edges. Fresh, sharp edges and loose debris suggest recent movement.
• Check the width. Hairlines are routine. Anything wider than about a quarter of an inch deserves a closer look.
• Look around the house. Doors that have started sticking, or new cracks in the interior walls next to the garage, point to movement beyond the floor.

If any of those raise a flag, the right next call is a structural engineer or a foundation specialist, not a flooring contractor. We would rather tell you that than coat over a problem and watch it come back.

What crack repair looks like during prep

Crack repair happens as part of surface prep, before any coating goes down. On a typical garage:

• The whole floor is diamond ground to open the surface so the coating can bond.
• Each crack is chased with a crack chasing blade, widening it slightly into a clean channel of solid concrete.
• The channel is vacuumed out so nothing loose is left in it.
• It is filled with a fast setting crack filler, deliberately overfilled.
• The repair is ground flush with the floor around it.
• Spalled and pitted areas get patched the same way. Our guide to concrete spalling repair before coating covers that in detail.

Only then does the coating system go down. Skipping or rushing this step is one of the most common reasons coatings fail early, which we cover in why epoxy garage floors peel in Florida.

Control joints: fill them or keep them?

This is a genuine choice, and it depends on your slab.

Filling the joints and coating over them gives a seamless floor with nothing to catch dirt. If the slab is stable, that holds up well. If the slab still moves a little with the seasons, a fine line can appear along the joint in the finish, because the joint is doing its job underneath.

The alternative is to keep the joints working: fill them with a flexible filler, or re-cut them through the finished coating so they stay open as straight, clean lines. You give up a little of the seamless look, and in exchange the floor moves where it was designed to move.

We look at how the slab has behaved so far and talk the trade-off through with you on site.

Will the repair show through the new floor?

A crack that has stopped moving and has been repaired properly is structurally gone. Whether you can see where it was depends on the finish.

A full flake floor hides repairs best. The broadcast chips break up the surface so a filled crack disappears. Solid colors are less forgiving, because a perfectly uniform surface shows any slight difference in texture. Metallic finishes are the most revealing of all, since the flowing pattern can pick out lines underneath.

If your slab has a lot of repairs, that is worth factoring into the finish you choose.

When the crack is really a moisture problem

Sometimes a crack is the visible end of a different problem. White, chalky powder in or around a crack, a crack that looks damp when the rest of the floor is dry, or water seeping up after heavy rain all mean moisture is moving up through the slab.

Coating over that without addressing it is how a floor ends up blistering or lifting. Moisture gets tested before we coat, and where it is high, a moisture mitigating primer goes down first. In Florida, with high water tables and long humid summers, that test is not optional. We explain why in how Florida humidity affects epoxy floor installation.

When we tell you to wait

There are a few situations where the right answer is not yet:

• A new slab that has not cured for at least 28 days
• An active crack, still widening, growing or offset, until the movement has been looked at
• Water coming up through cracks until the moisture has been tested and addressed
• Signs of foundation movement elsewhere in the house

None of these mean you cannot have a coated garage floor. They mean the floor will last far longer if it goes down on a slab that has stopped moving. When it is ready, our garage floor coating systems and polyaspartic coatings go down over a properly prepared slab.

Frequently asked questions

A metallic epoxy floor is the one people stop and stare at. It has depth and movement, like polished stone or liquid metal frozen mid-swirl, and in the right light it looks like it is still moving.

It is also the floor that is easiest to get wrong. Metallic epoxy asks more of the concrete underneath it, more of the installer, and more of the owner’s expectations than any other epoxy finish. The same qualities that make it look extraordinary are the ones that make it unforgiving.

This guide covers how that look is actually made, why no two metallic floors ever match, and the handful of things that decide whether a metallic floor still looks this good years from now.

How the metallic look is actually made

A metallic floor is built in layers, and each one matters.

It starts with the concrete. The surface is diamond ground to open it up and give the coating something to grip, then cracks, pits and spalls are repaired. After that comes a primer and a pigmented base coat. The base coat is more important than it looks, because its colour shows through and changes how the finished floor reads.

Then comes the metallic layer itself: epoxy resin carrying reflective, pearlescent pigments. While the resin is still wet, those pigments keep moving and settling, and the installer shapes that movement. Rollers, trowels and a few other techniques create the swirls, veins, cells and ripples that give each floor its character.

Finally, a clear topcoat goes over everything. It protects the metallic layer from wear, adds or controls the gloss, and on many floors it is where slip resistance and UV protection come from.

Why no two metallic floors ever match

Because the pigment moves on its own while the resin cures, a metallic floor is partly designed and partly the result of physics. Temperature, humidity, the thickness of the layer and the installer’s technique all change how the pigment flows and settles.

That means a sample board shows you a colour family and a style of movement, not a pattern you will get exactly. Two floors poured with the same product, the same colours and the same technique will still look different.

For most people that is the whole appeal. It is also why the best way to choose is to look at several finished floors, agree on the effect you want, and trust the installer with the details. If you need an exact, repeatable finish across several rooms, a flake or solid colour floor is the more predictable choice. Our guide to flake vs metallic vs quartz vs solid epoxy compares them side by side.

Where metallic epoxy looks best

Metallic floors shine, literally, in spaces where they can be seen and are not ground down by grit.

That includes kitchens, living areas, home offices, showrooms, retail spaces and garages used as a showroom, workshop or home gym. In commercial spaces the look carries a lot of weight for very little floor area.

They are a harder fit in a busy daily garage. Road grit, sand tracked in from outside and hot tires all work against a glossy surface. That does not rule metallic out for a garage, but it does mean choosing the topcoat carefully and accepting that it will show wear sooner than a flake floor, which hides small marks in its pattern. Our page on garage epoxy floors covers the options.

Prep: where most metallic floors succeed or fail

Every epoxy floor depends on its prep. Metallic floors depend on it more, because a glossy, reflective surface shows every flaw underneath it.

A crack that would disappear under a flake floor can telegraph straight through a metallic one. A patch of contamination can stop the coating from bonding. A slab that was not ground evenly can show up as a change in the way the light plays across the floor.

That is why proper grinding, crack and spall repair and a clean, sound surface are not optional steps. If your concrete is flaking or pitted, it has to be dealt with first, and our guide to concrete spalling in Florida explains why. The same prep principles are behind why epoxy garage floors peel.

Moisture in the slab

Moisture is the other quiet killer, and it is a real issue across much of Florida, Georgia and South Carolina, where slabs often sit over damp soil and a high water table.

Concrete breathes. Moisture moves up through a slab from the ground below, and if too much is coming through, it can push against the coating from underneath. That can show up as bubbles, cloudy patches or a coating that lets go altogether.

A proper installation tests the slab for moisture before anything is applied. If the reading is high, the answer is a moisture mitigating primer or system under the metallic layer, not hoping for the best. Humidity during installation also affects how epoxy cures, which we cover in how humidity affects epoxy floor installation.

Sunlight and the topcoat

Standard epoxy does not like ultraviolet light. Over time, direct sun can make it yellow and dull, and on a metallic floor, where the whole point is clarity and depth, that shows up quickly.

If sunlight reaches the floor, through a glass door, a big window or an open garage, the clear topcoat needs to be UV stable. That is where a polyaspartic or similar topcoat earns its place over the epoxy. It protects the colour underneath and takes the day to day wear. Our guide to polyaspartic vs epoxy explains how the two work together, and our polyaspartic floor coating page covers the system.

Slip resistance, and the trade-off nobody mentions

A deep, glossy metallic floor can be slippery when it gets wet. In a kitchen, a bathroom, a garage where cars bring rain in, or anywhere near an entrance, that matters.

The fix is an anti-slip additive in the topcoat, which adds a fine texture you can feel underfoot. The trade-off is that texture scatters light, and the more grip you add, the more it softens the mirror-like depth that makes a metallic floor look the way it does.

There is no universal right answer. A showroom floor that never gets wet can stay glossy. A garage or a kitchen may be better with some grip. What matters is making the decision deliberately, before the topcoat goes down, rather than discovering it on the first rainy day.

Keeping it looking good

Metallic floors are easy to live with once they are down, as long as a few habits stick.

• Dust mop regularly. Grit is what scratches a glossy surface, so removing it matters more than washing.
• Use a pH neutral cleaner and avoid harsh or abrasive products.
• Put walk-off mats at entrances to catch grit before it reaches the floor.
• Use felt pads under furniture and equipment that gets moved.
• Recoat the topcoat when it wears. The metallic layer underneath does not have to be redone.

Looked after that way, a metallic floor keeps its depth for years. For more on how long epoxy lasts in general, see how long does epoxy flooring last.

Frequently asked questions

Your quarry tile is twenty years old. The grout around the fryer bank has washed out below the tile face, an inspector made a note about the floor-wall junction behind the dish machine, and a server went down carrying a tray last month. Meanwhile you serve six days a week.

The question is almost never whether to coat the floor. It is which system goes in which room, and how the work happens without going dark.

A restaurant is three floors, not one

Walk the building the way the floor experiences it, not the way the plan draws it.

Zone one is the kitchen line and dish pit: hot oil, boil-overs, steam, near-boiling discharge water, high-pH degreasers, and grease worked in by mats and cart wheels. A chemical and thermal problem.

Zone two is front of house and the bar, looked at by every guest, hit with drink spills and wet shoes off the sidewalk. An appearance and wet-traction problem.

Zone three is everything else: walk-in, dry storage, back hall, mop closet, patio. None of it justifies the kitchen spec.

One system across all three either overbuilds the dining room or underbuilds the line. Underbuilding the line is what shuts you down on a Saturday night.

Zone one: the kitchen line and the dish pit

Thermal shock kills commercial kitchen floors, not abrasion.

A coating and the slab under it expand at different rates. Dump near-boiling dishwasher water on a thin coating a few hundred times and the bond line takes that stress every cycle. It shows first as a hairline halo around a drain, then as a sheet.

For most kitchens the working spec is a heavy commercial epoxy with a quartz broadcast and an integral cove. Apex calls their quartz epoxy system “Ideal for restaurant kitchens, medical facilities, and high-traffic commercial spaces,” and the aggregate is why: “the varying sizes of the quartz particles create a textured surface that enhances traction and grip underfoot, reducing the risk of slips and falls,” including when the floor is wet or oily. That texture is the body of the floor, not a topcoat additive.

Heavier lines move up a class. Urethane cement expands and contracts much closer to concrete than epoxy does, which is why it survives steam and hot wash-down. As Apex puts it on their industrial flooring page: “Urethane cement is the heavy hitter for food and beverage, breweries, and cold storage.”

The dividing line is practical. If your crew closes with a deck brush and a degreaser, a quartz-broadcast commercial epoxy is enough floor. If you steam clean, hot pressure wash, or run a high-temp dish machine discharging to a floor sink, spec urethane cement in that footprint and epoxy elsewhere. Changing systems mid-kitchen is a legitimate answer.

Zone two: front of house and the bar

Out front the floor has two jobs: look like part of the room, and keep guests upright.

Flake handles most dining rooms. Vinyl chip is hand-broadcast into the wet basecoat until the surface refuses more, then cured, scraped flat, vacuumed, and sealed. Camouflage is why it works: flake hides crumbs, scuffs, and a dropped ramekin between bus rounds. A solid gray floor shows every footprint by seven o’clock.

Metallic epoxy belongs where the floor is part of the design: the bar, the entry, a private dining room. A metallic layer is a look, though, and traction comes from the topcoat over it. Anywhere guests carry drinks or step in off a wet sidewalk, specify a satin, slip-graded topcoat, not the highest gloss available.

The server aisle and the swinging door take kitchen exposure while staying visible from the tables, so that strip usually wants the kitchen system with a finer broadcast.

Zone three: walk-in, dry storage, and the patio

The walk-in is a scheduling problem more than a materials problem. Most coatings will not cure properly on a slab in the thirties, so the box has to warm up and hold there through cure, which means product comes out and the compressor goes off. Urethane cement is built for cold storage.

Dry storage, the back hall, and the office are light duty, where flake is plenty.

The patio is a sun problem: standard epoxy ambers under direct UV, so anything outdoors needs a UV-stable polyaspartic or urethane topcoat. And cove the mop closet. It is a wet room with a floor sink, and a common write-up.

What a food-service inspection looks at on your floor

Restaurants are licensed and inspected at state level, and Florida, Georgia and South Carolina all work from the same source: the FDA Food Code, which each state adopts by reference. The agency name on the paperwork changes. What an inspector wants from your floor does not.

For a floor that shakes out to a short list. Surfaces in food prep, warewashing, and walk-in refrigeration have to be smooth, durable, non-absorbent, and easily cleanable. The floor-wall junction has to be coved and closed so debris cannot pack into a corner no tool reaches. Floors have to be sufficiently slip resistant for how the room is used, and sloped to drain where they are cleaned by flushing water.

Apex says the same thing plainly: “Restaurants and commercial kitchens. Health codes require non-porous, slip-resistant, and easy-to-clean flooring in food service environments.”

The wall cove is the most common write-up, and there is already a full breakdown of why a residential-style flat-against-the-baseboard install fails in their comparison of commercial versus residential epoxy specs. Read that one for the wall detail.

What it does not cover is where inspectors go next: the drain, the door threshold, the equipment curb, the column base. A cove that stops at the room perimeter and dies into a raw concrete ring around a floor sink has moved the problem, not solved it. Apex describes their sanitary work as seamless systems “with integral cove base at wall and drain transitions,” and the drain half is what most people skip.

Why the quarry tile is usually what comes out

The tile is rarely the failure. Quarry tile is a dense fired clay body and it lasts. The grout is the failure.

Cementitious grout is porous. It drinks water and grease, erodes under high-pH degreasers and hot wash-down, and recedes below the face of the tile. You are left with a grid of narrow channels holding grease a flat mop cannot reach, which is what an inspector runs a finger into.

Once the grout is gone, water gets under the tile, the setting bed releases, and tiles rock. Now you have a trip hazard and a sanitation finding in the same square foot. Regrouting is a treadmill, because every regrout has to bond to a substrate already saturated with grease.

Demolition, not coating, drives the schedule. Tile and setting bed have to come off, which is loud, dusty, and slower than people expect, and it tends to reveal a slab that does not slope where the drawings said.

Drains, slope, and the edges that decide how long it lasts

Coated floors almost never fail in the middle. They fail at edges.

Every termination should be mechanically keyed, which means a saw-cut groove at the drain ring, at door thresholds, and at slab edges, so the coating locks into the concrete instead of feathering out to nothing. A feathered edge is what a mop bucket wheel catches and peels first.

At drains, the coating needs to run into the drain body and terminate inside the ring. Stopping short leaves a band of bare concrete that stays permanently wet, and that is where lifting starts.

If your floor ponds today, a coating will give you a glossier puddle in the same place. Slope has to be rebuilt in mortar before the finish goes down.

None of it works without prep. Apex is direct that “Diamond grinding is the professional standard: it mechanically opens the concrete to a uniform CSP-2/3 profile so the coating bonds into the slab.” That matters double in a kitchen, because years of grease have migrated into the top of the slab.

Phasing a multi-zone install around service

Phasing should be settled before a crew is booked, not after.

Apex phases larger commercial floors by section so the operation keeps running, with most spaces back in service within 24 to 48 hours. Fast-cure polyaspartic and urethane-cement systems let them stage work by zone, with many jobs done over a weekend or a scheduled maintenance window.

A workable sequence starts where you are least exposed: dry storage, back hall, office. Take the dining room on your closed day. Save the kitchen and dish pit for the longest continuous window you have, because they need the most equipment moved and the most cure time protected.

Decide early what moves and what gets detailed around. Line equipment on casters rolls out; a hood-anchored range battery and a built-in dish machine do not, and anything staying put gets a curb and cove detail drawn before the grinder starts.

Cure expectations matter as much as the calendar. Fast-cure polyaspartic topcoats accept foot traffic in hours and light traffic overnight, but full chemical cure keeps developing through the first week: no aggressive degreaser, no hot wash-down, no heavy static load. Tell your closing crew in writing, or someone will hit a two-day-old floor with the strongest thing under the sink.

When we say not yet

Three conditions where the right answer is to wait, and a contractor who will not say so is not doing you a favor.

Green concrete. Apex is blunt: “The other thing we will not do is coat green concrete. A slab needs its cure time before anything goes on it, and coating early is almost always a callback.” Their rule of thumb is concrete under 28 days old, so on a new build that clock is part of your opening schedule.

Active moisture vapor. This is the quiet one, because you cannot see it. In their words, “Below-slab moisture vapor is the number-one cause of coating failure and delamination, and it’s invisible until the floor is peeling.” You find out by testing: a calcium chloride test under ASTM F1869, and ideally an in-situ relative humidity probe under ASTM F2170. If readings come back high, the options are a vapor-mitigation primer first, or moving to urethane cement, which Apex notes “can be installed over damp or newer concrete where standard epoxy can’t, after moisture testing.”

A moving slab. Cracks that open and close with the season, or a joint that has stepped, will telegraph through any coating over them.

Frequently asked questions

Every warehouse we walk into has the same story painted on the floor. The aisle lines near the dock doors are worn down to ghosts. Somebody laid tape over the bad sections, and the tape edges have curled and collected black grime. There are two different yellows, because the last touch-up did not match, and a red line near the electrical panel that nobody currently working there can explain.

Floor marking gets treated as the last item on a warehouse project, which is why it is usually the first thing to fail. It is also the item an OSHA compliance officer can evaluate from across the building without asking anyone a question.

What OSHA actually requires

Less than most people assume, and the vagueness is the problem.

29 CFR 1910.22(b) requires that permanent aisles and passageways be appropriately marked. 29 CFR 1910.176(a) requires that where mechanical handling equipment is used, sufficient safe clearances are allowed for aisles, that aisles and passageways be kept clear and in good repair, and that permanent aisles and passageways be appropriately marked.

Read those closely and notice what is missing. There is no mandated line width. No mandated color for aisles. No mandated aisle dimension. OSHA says mark them, keep them clear, and give equipment safe clearance, then leaves the execution to you.

Where OSHA does get specific is color for hazards. 29 CFR 1910.144 designates red as the basic color for fire protection equipment and danger, and yellow as the basic color for designating caution and marking physical hazards. And 29 CFR 1910.37 requires exit routes to be kept free and unobstructed, which in practice means the path to an exit needs to be visibly defined and not stacked with pallets.

Beyond OSHA, most facilities follow the ANSI Z535.1 safety color convention and the 5S floor-marking practice that grew out of lean manufacturing. Those are not law, but they are what auditors, insurers and incoming employees expect, and a facility that follows them looks run rather than improvised.

What the colors mean

This is the convention in general industrial use. Standardizing on it means a new hire or a temp from an agency reads your floor correctly on day one.

The red and white versus black and white distinction matters more than people expect. Red and white means something bad happens if this is blocked in an emergency. Black and white means it just gums up your operation. Using them interchangeably trains people to ignore both.

Where the required clearances live: the National Electrical Code requires working clearance in front of electrical panels, and fire code requires clear access to extinguishers and to the path of egress. Those clearances exist whether or not you mark them. Marking them is how they actually stay clear, because "keep this three feet clear" is an instruction people forget and a painted rectangle is not.

How wide should the lines be, and how wide the aisles?

Lines: 2 to 4 inches is the common range, with 4 inches used in high-traffic lanes and large open floors where sight lines are long. Wider lines read faster at forklift speed and survive wear longer before they need attention.

Aisles: OSHA does not publish a universal number, because the correct width depends on what is driving through it. The standard the industry works to is at least three feet wider than the widest piece of equipment or load that will use the aisle, and more where equipment turns, meets oncoming traffic, or works next to pedestrians. Pedestrian walkways separated from forklift traffic are the single highest-value marking most warehouses can add, and they are frequently the one that is missing.

The real problem: how the lines are applied

Almost all warehouse marking is done one of three ways, and the difference between them is why you are reading an article about repainting lines.

Tape

Fast, needs no cure time, and the building keeps running while it goes down. In an office, a lab, or a light-duty area, tape is a legitimate answer.

Under forklift traffic it is not. Wheels that turn in place shear the edges up, and once an edge lifts it peels. The lifted edge then collects dirt and becomes its own trip hazard. In a genuine traffic lane, tape is a recurring maintenance item, not a solution.

Paint applied on top of a finished floor

Better than tape, and this is what most facilities have. The limitation is structural: the paint sits on top of the coating, which means it is the highest point on the floor and takes every wheel, every pallet jack, every dropped tool. It is the first thing to abrade. Traffic lanes go patchy while the same paint under a rack looks new, which is exactly why so many warehouse floors have two shades of yellow.

It also has an edge. A small one, but enough to catch dirt and to give a squeegee or scrubber something to ride over.

Striping integrated into the coating system

The lines go down after the base coat and before the clear topcoat. The topcoat then seals over them.

Three things change. The marking is flush with the floor, so there is no edge to lift, catch or collect grime. It is no longer the wear surface, because the clear coat above it is, which means the lines wear at the same rate as the floor rather than faster. And it cleans like the rest of the floor, since an auto-scrubber passes straight over it.

The tradeoff is honest: it has to be planned before the floor goes in, and changing the layout later means recoating the affected area rather than painting a new line. If your racking moves every quarter, integrated striping is the wrong choice and we will tell you so.

How long each method lasts, and what it takes to maintain

All three work on the day they go down. What separates them is how they behave a year later in the lanes that get driven.

Maintenance follows from that. Tape needs somebody walking the lanes and replacing lifted runs before they turn into trip hazards. Painted lines need a return visit with masking, layout and cure time. Striping under the topcoat needs only the cleaning you already do: neutral pH detergent, a soft to medium brush, and no aggressive solvents or high-alkaline strippers, which haze the clear coat.

Wear is never even. It concentrates where forklifts pivot rather than roll: dock approaches, the mouth of every rack aisle, cross-aisle turns. Judge a floor there, not by the open middle.

What re-marking takes out of your operation

The line work is the small part. What a reapplication really takes is floor time, and that lands on operations rather than maintenance.

On a single shift you can sometimes absorb that. On two shifts there is no window, so the work moves to nights or weekends and you staff supervision, receiving and security around it.

Getting the layout right before anything gets marked

The most expensive marking mistake is not the wrong product. It is marking the wrong layout beautifully.

Before we chalk a line we want to know: where forklifts actually travel as opposed to where the drawing says they travel, where people walk between the break room and the floor, where the pinch points are at dock doors and blind corners, what has to stay clear by code, and what is genuinely permanent versus what moves with the season.

That last one decides the whole strategy. Permanent traffic lanes, egress paths and code clearances belong in the coating. Seasonal staging that reconfigures twice a year belongs in tape, honestly and deliberately, because it is going to move.

Florida warehouses have one extra problem

Concrete moves moisture. A slab in Northeast Florida with a high water table, no vapor barrier, or a barrier that was compromised during construction will push vapor up through the slab continuously. That vapor is what delaminates coatings, and when the coating lets go, the striping goes with it.

This is why we moisture test before quoting rather than after. A beautifully marked floor on an untested slab is a floor that will need doing twice. We covered the broader version of this in what Florida warehouse floors actually have to survive.

The other thing we will not do is coat green concrete. A slab needs its cure time before anything goes on it, and coating early is almost always a callback.

Frequently asked questions